"For years I have occupied myself with human movement. I dance, observe dancers, touch, mould, draw
and stage.
A movement elapses no matter which echo it produced. On the other hand, movement patterns can form,
re-form or draw a body.
A sculpture remains, its expression stays over the years, its shape is always revisable and that from
all angles.
Is it possible for a sculpture to move beyond its figure, to capture its fleeting movement, to
continue this fleetingness oneself?
Is it possible that atmosphere and space are more perceptible than the form, through the form?
A group of sculptures were developed out of this, a dance company, in which each sculpture is on its
own, either as a soloist, a pair or where they are can be combined in different variations.
Here the art lover becomes a choreographer and spectator, their hands are part of the dance.
The sculptured, where the gestures spread beyond, are influenced by dance which has a language of its
own." (Agnes Keil)